{"id":30,"date":"2021-09-14T10:27:46","date_gmt":"2021-09-14T08:27:46","guid":{"rendered":"https:\/\/www.gustavemagazine.com\/?page_id=30"},"modified":"2026-04-08T01:09:13","modified_gmt":"2026-04-07T23:09:13","slug":"qui-est-gustave","status":"publish","type":"page","link":"https:\/\/www.gustavemagazine.com\/index.php\/qui-est-gustave\/","title":{"rendered":"Qui fait Gustave ?"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>\u201cLa po\u00e9sie ne soigne rien<\/em>, \u00e9crivait Antoine Emaz, <em>mais elle peut ouvrir sur une forme de communaut\u00e9 ou de partage (\u2026) juste un \u00e9cart, et de l\u2019air un peu plus frais qui rentre.\u201d<\/em><\/p>\n\n\n<div class=\"wp-block-image is-resized is-style-rounded\">\n<figure class=\"aligncenter size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/i0.wp.com\/www.gustavemagazine.com\/wp-content\/uploads\/2021\/09\/StephaneBataillon.jpg?resize=300%2C300&#038;ssl=1\" alt=\"\" class=\"wp-image-54\" style=\"width:228px;height:auto\" srcset=\"https:\/\/i0.wp.com\/www.gustavemagazine.com\/wp-content\/uploads\/2021\/09\/StephaneBataillon.jpg?w=300&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.gustavemagazine.com\/wp-content\/uploads\/2021\/09\/StephaneBataillon.jpg?resize=150%2C150&amp;ssl=1 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n<\/div>\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">St\u00e9phane Bataillon<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Po\u00e8te, critique et grand reporter. Ses recueils, <em>O\u00f9 nos ombres s\u2019\u00e9pousent<\/em> (2010, r\u00e9\u00e9d. 2016), <em>Les Terres rares (2013)<\/em>, <em>Contre la nuit<\/em> (2019) et <em>Permettre aux \u00e9toiles <\/em>(2024) sont publi\u00e9s aux \u00c9ditions Bruno Doucey, dont il est associ\u00e9. <br>Son site <a href=\"https:\/\/www.stephanebataillon.com\/\">www.stephanebataillon.com<\/a> regroupe ses multiples exp\u00e9rimentations. Il est \u00e9galement le cocr\u00e9ateur et l&rsquo;\u00e9diteur de <a href=\"http:\/\/www.gustavejunior.com\" data-type=\"link\" data-id=\"www.gustavejunior.com\">Gustave Junior<\/a>.<\/p>\n\n\n<div class=\"wp-block-image is-style-rounded\">\n<figure class=\"aligncenter size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"190\" height=\"213\" src=\"https:\/\/i0.wp.com\/www.gustavemagazine.com\/wp-content\/uploads\/2021\/09\/SaintOma.jpg?resize=190%2C213&#038;ssl=1\" alt=\"\" class=\"wp-image-52\"\/><\/figure>\n<\/div>\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">Thomas Durcudoy (Saint-Oma)<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Thomas Durcudoy (n\u00e9 en 1973) dit Saint-Oma est issu d\u2019un cursus artistique, \u00c9cole Boulle (DMA ciselure), \u00c9cole des beaux-arts d\u2019\u00c9pinal (DNAP, DNSEP), cette longue formation l\u2019a conduit \u00e0 construire une trame plastique autour de quatre m\u00e9diums : le dessin, l\u2019animation 2d, la peinture et le collage. Ses \u0153uvres se d\u00e9couvrent sur les murs et dans les friches, mais aussi dans des expositions solos o\u00f9 collectives, sur des t-shirt (agn\u00e8s b) et m\u00eame sur le papier journal et les couvertures de livres, il r\u00e9alise aussi des performances dessin\u00e9es. Son site : <a href=\"https:\/\/www.saintoma.com\/\">www.saintoma.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cLa po\u00e9sie ne soigne rien, \u00e9crivait Antoine Emaz, mais elle peut ouvrir sur une forme de communaut\u00e9 ou de partage (\u2026) juste un \u00e9cart, et de l\u2019air un peu plus frais qui rentre.\u201d St\u00e9phane Bataillon Po\u00e8te, critique et grand reporter. Ses recueils, O\u00f9 nos ombres s\u2019\u00e9pousent (2010, r\u00e9\u00e9d. 2016), Les Terres rares (2013), Contre la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-30","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.gustavemagazine.com\/index.php\/wp-json\/wp\/v2\/pages\/30","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gustavemagazine.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gustavemagazine.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gustavemagazine.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gustavemagazine.com\/index.php\/wp-json\/wp\/v2\/comments?post=30"}],"version-history":[{"count":7,"href":"https:\/\/www.gustavemagazine.com\/index.php\/wp-json\/wp\/v2\/pages\/30\/revisions"}],"predecessor-version":[{"id":569,"href":"https:\/\/www.gustavemagazine.com\/index.php\/wp-json\/wp\/v2\/pages\/30\/revisions\/569"}],"wp:attachment":[{"href":"https:\/\/www.gustavemagazine.com\/index.php\/wp-json\/wp\/v2\/media?parent=30"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}